Tenore Dmitry

New York City, NY

$100 – $500 per event

Travels up to 30 miles

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"Core 'ngrato" by S. Cardillo

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"It was a Lover and his Lass" G. Finzi

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F. Shubert - "Am Feierabend"

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"Dies Bildnis ist bezaubernd schön" by W.A Mozart

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Lensky's aria P. I. by Tchaikovsky

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Overview

Currently studying for his masters degree in Voice Performance at Mannes School of Music, Dmitry Mironov is an operatic tenor that will bring entertainment to any event with his lyrical tones and charismatic presence.


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Booking information

Price range: $100 – $500 per event

Languages: American Sign Language, Russian

Gig length: 40 - 90 minutes

About

Lyric tenor Dmitry Mironov is currently pursuing his Master of Music degree at the Mannes
School of Music, where he also completed his Bachelor of Music. Originally from Moscow, Russia,
he began performing at the age of seven, appearing in both professional and community theater
productions before continuing his vocal training at the Tchaikovsky Academic Music College.
At Mannes Opera, Mr. Mironov has performed a wide range of roles across major productions. His
recent appearances include Don Ottavio in Don Giovanni under the baton of Cris Frisco, and the
dual roles of Ares and Maron in Mark Adamo’s Lysistrata, conducted by Geoff McDonald (2024).
Additional credits include Tamino in Die Zauberflöte (2023, conductor Tong Chen), La Rainette in
Ravel’s L'enfant et les sortilèges (2023, conductor Christopher Allen), and Mercurio in Cavalli’s La
Calisto (2022, conductor Kamna Gupta). Prior to his studies in New York, he portrayed Lensky in
Eugene Onegin at the Tver Academic Theater (2020).
In concert and recital settings, Mr. Mironov has been a featured soloist at the Mannes Sounds
Festival, performing in the 25th Anniversary celebration (2024) and A Tribute to César Franck
(2022). Other appearances include performances in Les contes d’Hoffmann and Anna Bolena with
Mannes Opera’s Sceneworks, and concerts for Hayk Grigoryan’s Opera Night project and the
Jewish Cultural Center in Russia.
His training includes participation in masterclasses on the island of Ischia (2018–2019) and, most
recently, with John Fisher as part of the Premiere Opera Foundation’s 2025 masterclass. He has
worked with an array of esteemed professionals including teachers Arthur Levy and Hayk
Grigoryan, and conductors such as Cris Frisco, Geoff McDonald, and Kamna Gupta.
Mr. Mironov’s growing versatility and dramatic sensitivity continue to distinguish him as an
emerging voice on the operatic stage.

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