"Stay Tuned" Music

Seasoned, flexible musician who can go with the flow.

Audience grabbing music, with the perfect tone for the context. Intimate healing power in funerals. Uplifting flexibility in weddings (The groom wants Star Wars, the bride wants Bach, and the parents want Egyptian? No problemo.) Interactive fun at house parties.

Arrangements can be made for special compositions.

References provided on request.

Heather Spence creates music scientifically tuned to any occasion. She received a Presidential Arts Fellowship for music at the George Washington University, and completed her PhD in Bio-Acoustics at the City University of New York. From weddings to funerals, from boats to opera houses, her primary performance instruments are cello, viola da gamba, piano and voice. Her compositions combine live instruments, electronic sounds and nature recordings and can be found on CDs, soundtracks, sheet music – even phone answering services. Merging music with neuroscience, she crafts improvisations and meditations suited to each group of listeners, drawing on genres from medieval to contemporary, from classical to trip hop. Based in Washington, DC, she currently performs internationally as a soloist and with Sephardic, Arabic and world music ensembles.

Example Projects –
Beneath the Surface: Piano Reflections album (2026)
Whale Hello There album (2023)
World Listening Day Ambassador and Theme Creator “Beyond Boundaries” (2022)
Hear The Light – virtual CD release celebrations (2020)
Smithsonian’s Hirshhorn Museum (2018 Sound Scene – premier of “Reef Recall” for live cello and soundscape composition)
Dine N Dash by World Central Kitchen (2018 cello at SEI)
Djerassi Resident Artists Program (2017 NAKFI sponsored member of month long residency, composed and premiered “Hydrophone Array” trio for flute, oboe, and bass viola da gamba)
The Birchmere (2017 Raven’s Night – cello)
Virginia Beach Resort Hotel (2015 International Association for the Study of Dreams – keynote lecture & cello)
Mellon Auditorium (2015 Saltanah Ensemble for King of Saudi Arabia – cello)
Bulgarian Embassy (2015 Judith Cohen – voice)
National Aquarium in Baltimore (2014 Saltanah Ensemble & Shems – cello)
Teatro de Cancun, Mexico (2014 Chamber Orchestra of Cancun – cello)
Franciscan Monastery (2014 Good Friday Service – voice)
The Library of Congress (2013 Flory Jagoda, the Celebration Concert – voice & viola da gamba)
Lisner Auditorium (2012 Ana Masry Band – cello & concertina)
CDs – Hear The Light (original compositions, voice and strings 2020); Conscious Structure, Universal Antithesis (cello, electric cello, composition)
Sheet Music – NMV7 “Dom,” NMV9 “Vale la Pena?” and NMV 50 “L” (available through (link hidden))
Downloadable Soundscape – Soothing Womb Sounds for Baby (link hidden)
Musical analysis of dolphin vocalizations and habitats

In small venues I prefer to play unamplified. I have a good pickup/DI Box and portable speaker for my cello for amplified settings, plus a vocal mic if needed.

I prefer to play sitting down, in a chair without arms.

Unlike many string players, I actually enjoy playing outdoors (within reason!).