Sound4U

The best information I can get from a band is generally a stage plot with the mic needs for vocalists, instruments, drums, etc. Where each member stands and where you would like your monitors placed. Special requests like a DI or connection to your laptop or iPod.
Are you going to bring a wireless microphone?
Do you use in-ear monitors?
Do you need electricity at the front of the stage? Where?

Any information about your staging or sound needs.

Dale started in sound way back in 1985 in Milwaukee. He ran sound for the best bands in town and also ran sound at Milwaukee's "Big Gig", Summerfest.
He now resides in the Tulsa area and is providing sound for the area's best bands; Dead Metal Society, Bradio orchestra, Shadley orchestra, Amped, Thomas Martinez band, and Grady Nichols band to name a few.
Dale began as a clarinet player in high school marching band, then became Drum Major for the marching band. Then he went on to serve in the US Air Force. There he became an electronic technician. So, by combining the two together, he became an exceptional sound engineer. He has the ear required, and is extremely knowledgeable about the equipment he controls.
Check out his reviews. They will sum it up for you. You really need this guy if you want exceptional sound for your audiences.

I am able to audio record your show. Either in conjunction with our Front of House services or stand alone. You can either get the .wav files of each and every track on the mixer to use in your own DAW, or I can mix them down in Presonus' StudioOne4 DAW myself and provide you a promo package or the whole night on CD format. Individual songs will also be provided on a dedicated site for you to choose from as well.
I can even come to your practice room to record if that's better for you.

Contact me for prices for audio recording.

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Within 25 miles radius of Tulsa, there is no extra charge for mileage. From 25 to 100 miles, add $50. Outside of that range, add $1 per mile.

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Multiple band festivals are welcome. We have 32 channels available to accommodate most bands. Normally, it takes 15 to 30 minutes to change out from one band to another during a festival situation. This is dependent on the bands themselves and their ability to get on the stage to set up fast and get off the stage quickly. It is also dependent on how much information is provided to me about the bands in advance. The stage plot is invaluable for this purpose, but I need it well in advance of the festival. A week prior is not too far out, in this case.

Typical 4 piece band using 4 monitor mixes can expect to pay $1000
Add $25 for each monitor mix above the 4 included mixes. 6 mixes are available via floor wedges, but we could add a couple more monitor wedges. Your in-ear transmitters are welcome. Up to 7 stereo mixes could be available or 15 mono mixes or a combination.
In a festival setting where stage and lights is provided, you can expect at minimum price of $1000. Must be able to provide cover for all equipment from weather.
Delay stacks are available for added range and audience size. Add $200 for delay stacks.

Generally, it takes from one to two hours to setup our audio system, depending upon the complexity of the show.

For streaming:
We will need time to setup cameras, computer, etc. Developing a scene or scenes will need your direct input. Count on a couple of hours to complete this setup. You will need to provide your Facebook, Twitch, Twitter, or Youtube credentials for the computer to connect. Also, you will need to provide your best internet access with speed via direct connection to stream your content. WiFi will not work due to speed. The streaming software is capable of almost everything that a TV channel can do given enough time to set the scene(s) up.