Steve Rodway has achieved extraordinary success as an award winning music producer, songwriter & lawyer. He has worked with many of the world's leading recording artists including Jason Derulo, Leann Rimes, The Spice Girls, Kylie Minogue and Robert Palmer. He is an ASCAP award winner & Grammy nominee and wrote and produced the number one worldwide hit song "Ooh...Aah...Just A Little Bit". He is also the creator of the Motiv8 Music Symposium - "From Bedroom Studio To Number One Hit". Steve Rodway is available for speaking engagements and seminars on the arts and entertainment industry.
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Steve Rodway (born in Cambridgeshire), also known under the alias Motiv 8 or Motiv8, is a British Electronic dance music record producer, songwriter, remixer and sound engineer.
While known for many remixes, including those produced for Erasure, Spice Girls, The Doobie Brothers, Robert Palmer, Saint Etienne, Pulp, Dubstar and Pet Shop Boys, as well as his own singles such as "Rockin' for Myself", "Break The Chain" and "Searching For The Golden Eye", his highest-profile work was composing and producing the song "Ooh Aah... Just A Little Bit" for Gina G. The song was the United Kingdom's entry in the Eurovision Song Contest 1996 and a subsequent UK number 1 and international hit.
Rodway started his musical career as a vocalist and drummer before settling as a keyboardist for Billy Ocean. An early release, "Mission", was licensed by Go! Beat Records. Rodway then started independent record label 'Nuff Respect Records, in preparation for distributing another single, "Rockin' for Myself". While the success of these early singles was limited to club play, Rodway's subsequent contract with Warner Bros. Records and a re-release of "Rockin' for Myself" took the single to #18 (week of 7 May 1994) on the UK Singles Chart.
Afterwards, Rodway began his remixing career, with an early remix of "Listen to the Music" by The Doobie Brothers (peaking at #37 UK, only a week after "Rockin' for Myself" peaked) opening up further opportunities.
Rodway's distinctive style of crossover remixes soon became in demand and his talents came to the attention of Jarvis Cocker of the group Pulp. Cocker and bassist Steve Mackey personally met with Rodway requesting a complete overhaul of "Common People" in the Motiv8 style; the resulting classic remix went on to replace the original version on BBC Radio 1's playlist. Following the success of "Common People", Rodway remixed "Disco 2000".
More involved was a 1995 production for Saint Etienne called "He's on the Phone", created by Rodway through a considerable rework of the song "Accident" from the Saint Etienne and Étienne Daho collaboration EP Reserection and used as the new single included on the Too Young to Die singles compilation. Time stretching and pitch shifting of a vocal sample from the song were used to create a new melody on the final product.
In 1997, Rodway took on remixing "Addicted to Love" by Robert Palmer, the best known song he had worked on to date. For this remix he insisted on using multitracks from the original version rather than a recent re-recorded version.
Motiv8 was also responsible for additional production work on the single mix of "A Red Letter Day" by Pet Shop Boys (see below).
The Spice Girls
In 1995 Rodway was asked to remix "Wannabe" by the Spice Girls. At this stage little was known about the group other than they were a future priority for their record company Virgin Records. Because the original down tempo of "Wannabe" was too slow for club play, Rodway re-recorded the girls' vocals and produced a new faster version of the track aimed specifically at club and radio play. When "Wannabe" was eventually released in 1996 as the Spice Girls' debut single, it became a huge hit on club and radio play around the world helping to establish the girls' own brand of Girl Power.
One of Rodway's other objectives was to work with new recording artists. In December 1995, he was introduced to Australian singer Gina G, who had come across Rodway through an early demo called "Just a Little Bit" produced by Simon Tauber. The demo was eventually developed into the song "Ooh Aah... Just a Little Bit". Rodway produced a brand new version which went on to be selected as the United Kingdom's entry in the Eurovision Song Contest 1996.
In conjunction with the May contest, "Ooh Aah..." was released as a single in March 1996, hitting #1 in the UK in May and receiving BPI Platinum certification; #12 on the Billboard Hot 100; and selling 2 million copies worldwide. It was performed six times on Top of the Pops from March to May, and yet again on the year-end episode. "Ooh Aah's" stateside success brought Rodway both a Grammy nomination and an ASCAP award.
Pet Shop Boys
Rodway provided additional production on Pet Shop Boys' 1997 hit "A Red Letter Day". The duo became admirers of the Motiv8 sound and Neil Tennant visited Rodway at work in his studio during the remix. Ironically after it was finished and delivered, Tennant insisted a synth line which Rodway had come up with on the Motiv8 version, should be used on the Pet Shop Boys' own main mix. After trying unsuccessfully to recreate Rodway's riff it eventually had to be sampled from the Motiv8 mix. Thus it appears on both the Pet Shop Boys' main version as well as the Motiv8 remix
In 2000 Rodway began to experiment with changes to the Motiv8 sound. Although the vocals were still kept and the song preserved, he began using combinations of clean synth lines layered with deliberately distorted acoustic instruments to produce a more forceful rhythm. Parallel compression was then applied. The synthesizer riffs in "On A Night Like This" are good examples of his technique. This version together with the Motiv8 remix of Billy Piper's "Something Deep Inside" are regarded as clear departures from the previous Motiv8 style. Due to the popularity of the remix, a video of "On a Night Like This" was also dubbed from an edited version of the Motiv8 Nocturnal Vocal Mix.
Motiv 8 remixes have a reputation for being focused on songwriting and composition, generally keeping the full vocal track — an approach that Rodway attributes to coming from a background of songwriting, as opposed to DJing. Often all the backing tracks are discarded in favor of an entirely new set built from the vocals alone; one exception was "Addicted to Love", in which maintaining the "essence" of the song was a concern due to the iconic nature of the song. Musical characteristics of Motiv 8 remixes include arpeggios playing during verses, and loops overlaid on programmed drum samples.
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