- Nashville, TN
- Singing Guitarist
- $999 - $4999
Overview
⦁ Available November 2026 for Business socials, Networking events, Cocktail hours, Executive dinners, and Upscale dining
⦁ Instrumental guitar for Banquet / Meeting Spaces; Upscale Restaurants / Private Dining Rooms; Lobbies, Lounges, and Reception Areas
⦁ Atmospheric arrangements that complement event coordination and flow, enhance conversation, networking, and overall guest experience
⦁ Timeless classic rock era songs and several original compositions
⦁ Hospitality mindset with 15 years performance experience and 5 years full-time banquet operations
⦁ For select indoor, business functions - Nebraska only including Fremont, Ashland, Gretna, Waverly, and Lincoln
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Write a reviewBooking information
Price range: $225 and up
Languages: English
Gig length: 90 - 120 minutes
Insurance: $500,000 - musician's business property, liability and cyber
What to expect
Service Model: Pam is an experienced musician, a prepared professional, respectful of the event,
and thoughtful about the guest experience--a hospitality guitarist creating atmosphere that complements the conversation--refined instrumental background music for business socials and executive dinners in a variety of venue types up to 200 adult guests.
Hospitality Mindset: Pam understands the business of hospitality from the inside. This understanding is based upon a total of over twenty years of musical performance experience in upscale restaurants and ballroom settings and direct full-time, full-service banquet operations experience including work in several other departments of three upscale hotels. Given this extensive experience, Pam recognizes the rhythm of the planning and coordination as well as the flow and general dynamics of multi-phase events from cocktail-hour socializing and networking, to plated dinner service, to post dinner programming.
Pre-Performance: Pam will arrive early considering any travel time between the load in area, parking and the event room. Once she is loaded in, she will need up to an hour for set up, sound check and any audio system tweaking. She brings her own speaker system designed specifically for hospitality guitar. In rooms that are full of fabric from carpet to papered walls and lowered ceilings, Pam can apply a little acoustic sparkle to make up for the absorbent surfaces in the room. This does not mean the music becomes louder. Only that the musical tone will be defined enough to carry the sound waves between the guests without drawing attention to the source of the music.
Attire: Pam will be wearing slacks, blouse or tunic and vest or her iconic black turtle neck with a multi-colored splash somewhere. Her shoes will likely be black ankle boots suitable for loading in, setting up the equipment, performing, tearing down, and loading out.
Performance Time: The performance will be a predetermined amount of uninterrupted time from 90 to 120 minutes, unless another configuration is agreed upon in advance. Pam will perform guitar-only--no vocals, no microphone or dialogue and at a volume that allows attendees/customers/guests to easily converse and mingle over the music.
Instrumental Style: Pam's current guitar styling is more rubato than rhythmic in nature, lending to conversation, mingling and not dancing. These performances are designed to create ambiance/atmosphere for socializing rather than to invite attention and applause or to "entertain."
Example Event: Imagine a banquet room with 150 guests present for a client appreciation event. The event begins with 30 minutes of cocktails and mingling off to one side of the rounds while Pam is providing a relaxing instrumental backdrop. As the guests are seated, the host steps to the podium to make a brief announcement during which Pam's volume is turned completely down. After the announcement, salad is served while Pam resumes her ambient arrangements. Pam performs during the entire dinner service while the guests continue their conversations. When the host returns to the podium to begin the awards phase of the event, Pam begins quietly disassembling her audio system while the guests attend to the presentation.
Multi-Phase Logistics: Because Pam's audio system takes up to an hour to assemble, she won't be able to move the equipment from a reception area after a 30-minute performance into a separate meeting room to then perform for dinner service. If you wish to hire Pam for two or more phases of an event the ideal is that each phase occurs in the same area or room. So, if the guest number is higher--over 100, the room would accommodate all the dining rounds as well as enough space for pre-dinner cocktails and mingling as well as the 8 foot x 6 foot minimum area Pam needs, including a yard (3') wide perimeter area that protects the guests' ears from the proximity of the speakers and also avoids any elbow bumps or other contact with the equipment.
Performance Focus: During the performance, Pam's attention is directed toward the sheet music, the guitar, and the sound system to ensure a smooth, controlled volume atmosphere. She's happy to say hello or answer quick questions between songs.
Information Table: In certain settings, Pam may request permission to set up a small guest table where attendees can read a brief bio, write Pam a note, leave their contact information to discuss a booking or leave Pam a tip.
About
Pam is a self-taught guitarist, songwriter, producer, born and raised in Omaha, Nebraska. During the 1980s and early 1990s, Pam sang lead/backup and played rhythm guitar in established regional cover bands, Kickinbird and Pink Kadillac (TM).
While a fifth, full-length, original "New Blues" album is being completed, Pam returns to music performance as a "Hospitality Guitarist" with a repertoire of timeless titles from the classic rock era and several of her own compositions.
Hospitality settings are where Pam feels most comfortable. She specializes in creating a subtle instrumental backdrop that supports the purpose of each event--guest interaction. The focus remains on the conversations while the arrangements stay out of the way.
In 2026, Pam is also preparing her original music catalog to begin pitching for licensing opportunities--mainly background music for retail and hospitality environments.
Additional booking notes
Music/Audio/Sound Equipment: Pam will bring all musical equipment and audio/sound equipment needed for her performance. This will include a music stand, two guitars, a small amp and up to four small speakers. In some situations, Pam may ask to set up a small TV tray type table for guest information--a bio card, note pad and pen, and a small basket for any guests who want to leave Pam a note or tip. Pam may offer an upgrade tier of mood lighting--a 5 foot tower with a few battery operated candle-like, dome shaped lights, or a string of single colored lights. None of the lights will flash or twinkle or move, drawing attention to Pam. The lighting would only be applied as tasteful additional ambience.
Normally, Pam will bring her own seat, however in some situations she may require that an armless folding chair or banquet chair be provided.
A riser or stage is not necessary.
Performance Area: A level performance area a minimum of 8 feet wide by 6 feet deep is recommended for Pam's standard setup to accommodate the equipment and allow safe movement during setup and performance. Exact space requirements may vary slightly depending on the venue and room acoustics. Other physical requirements are at least 20 feet away from any window or public entrance/exit, 10 feet away from any service area/door, staircase/stairwell area/door, or restroom entrance/exit, and one or two working electrical outlets within 6 feet of the performance area. Pam will need to keep her hand cart and one or two gear totes within reach as she performs. She will bring a black cover/tarp for those items so as not to clutter the visual aesthetics of the room/space.
Property Diagram: Prior to providing a quote, Pam requests a diagram of the event space with indications of where to park and where the performance will take place, including the name of the room and the floor number.
Parking/Load-In: Pam requests that the client cover any parking fees. Depending upon how far the parking is from the building and event room, please account for up to 2 hours load-in, set up, tune-up and sound check, 2 hours of performance, and 1 hour tear down and load out--approximately 5 hours parking time. Whenever possible, convenient access to the performance area via the Vendor Entrance is appreciated to facilitate the safe transport of equipment. If the venue has specific parking or load-in procedures, please provide those details prior to the event.
Location: Pam is currently available in Nebraska only, with a center point from Southwest Omaha and a half-circle radius approximately 45 miles out, ending along the eastern border. As an example of distance, Pam is currently most available for performances in the following towns: Fremont, Ashland, Gretna, Waverly, and Lincoln, including venues near those towns and toward Omaha.
Mileage Fee: Distances beyond the above described radius, between 45 and 60 miles will require an additional mileage fee. Currently, Pam is available for distances up to 60 miles outside the Omaha Metro area.
Alternate Plan: Please have a back-up plan in place or alternate performer on reserve in the event of inclement weather, emergency or illness causing a cancellation.
Photography: If official event photography is planned, Pam is happy to discuss this with the client in advance.
Professional Privacy: Close-up photography or extended video recording (including real-time social posting) directed at the performance can be distracting and may affect Pam's concentration. To help maintain the flow of the event, Pam asks that venue employees, attendees and guests refrain from photographing or filming her directly. Pam prefers to control her own professional image and public presence.
Booking Policy: Pam's performances are provided as professional services and are booked at standard rates. While she appreciates the important work of nonprofit organizations and community groups, she is not currently able to provide complimentary performances for fundraisers or charitable events.
Set list
Pam & Guitar Alphabetized Instrumental Set List
This list is still in progress for November. Pam may add a few classical songs and will likely add a few holiday songs for end of the year functions. A few love songs will be added for anyone interested in hiring Pam for a Valentine's Day cocktail hour or upscale restaurant engagement.
America the Beautiful - (© 1893 Katherine Lee Bates)
Besame Mucho (Kiss Me A Lot) - (© 1940 Consuelo Velazquez)
Bridge Over Troubled Water - (© 1970 Simon & Garfunkel)
Country Roads - (© 1971 Denver/Danoff/Nivert)
Dust In the Wind - (© 1977 Kerry Livgren of Kansas)
Have You Ever Seen the Rain - (© 1970 John Fogerty)
Heart of Gold - (© 1971-72 Neil Young)
I Can See Clearly Now - (© 1972 Johnny Nash)
Imagine - C (open) - (© 1971 Lennon)
Mr. Bojangles - (© 1968 Jerry Jeff Walker/Nitty Gritty Dirt Band)
Summer Samba (So Nice) - (Marcos Valle & Paulo Sergio Valle © 1966)
Sunshine On My Shoulders - (© 1971 John Denver)
The Rose - (© 1979 Amanda McBroom / Bette Midler)
The Wind Beneath My Wings - (© 1982 Larry Henley & Jeff Silbar / © 1989 Bette Midler)
Time After Time - (© 1984 Cyndi Lauper & Rob Hyman)
You Are the Sunshine of My Life - (© 1973 Stevie Wonder)
What a Wonderful World - (© 1967 Weiss & Douglas)
While My Guitar Gently Weeps - (© 1968 Harrison)
Why Me Lord - (© 1969 Kristoferson)
Yesterday - (© 1964 Lennon & McCartney)
Classical:
Lullaby - Brahms
Originals: Ten or more . . .
Total:
Added November 1st:
*Black Orpheus
*Soulful Strut - Bb (bar) Young-Holt Unlimited 1968?
*Time Is Tight -
The Beach
The Beautiful Island
Wonderful Land
?The Horse
November 14th
Drift Away - Mentor Williams
*Needs Work/?May Not Fit Instrumental Stylings/May Not be Right for Cocktail Setting: n
*A Song for You - C (melody too stagnate and choppy for instrumental)
Dock of the Bay - A - (Otis Redding © 1968)
*?Green Onions - Gm/Ebmj
?Happy Together - Am (melody too choppy for instrumental)
*?Hard Days Night - G (melody too choppy)
*?In My Life - A
*Lean on Me - C (too melancholy for coctail)
*Listen to the Music - E or D bar (Rhythm and melody not right for instrumental)
?Rikki Don't Lose That Number - D (melody not right for instrumental)
Sittin' On the Dock of the Bay - A (bar) (theme not right for cocktail setting)
Can't Find Right Chords/Notes Combo for Instrumental Version:
Have You Ever Seen the Rain -
Considering:
Wish You Were Here
Originals: Ten or more . . .
My God Above - G (© 1983ish)
Something Like I Love You - C (© 1984ish)
Me Minus You - C (© 1985ish)
The Child #1 (© 1997ish)
Contained #1 (© 1997ish)
Second Wind #2 (© 1995)
Toward Me #3 (© 2005ish)
Hazy #4 - D? (© 2018ish)
Smoke #4 - Em (© 2015)
True #5 - (© 2020)
How About Now #5 (© 2022ish)
11 Total
Current Song Count: 40 (2+ hours?)
Influences and inspiration
Pam has been influenced by "sounds" and "styles" as much as by specific artists and bands. Having listened to a wide spectrum of music from the distant past such as classical music and forward through generations--early blues music, and across geographical areas--koto, güiro, and steel drums, and through decades--big band music, and genres--country, rock, and pop, Pam considers herself eclectic.
For the purpose of her service as "Hospitality Guitarist," Pam narrowed down all of the countless songs she loves to the songs that fit this niche most closely.
The winner for Pam's current repertoire was the classic rock era--the 1960s and early 1970s--a very memorable time in history and music.
Though there are many songs from this era that Pam loves to hear and play along to, there is another element necessary for her ambient chord/melody styling. The song's melody line must flow well and also move well. Melodies that remain on the same note for more than two or three beats didn't make Pam's list for this particular guitar treatment. Those songs are more easily performed by a rhythm guitarist, but not as easily by a chord/melody style guitarist.
Another note about the songs Pam selected for her current repertoire is her preference for playing business related functions. For this reason, there are few and no love songs on Pam's current set list. Not that the guests will notice. Only that the absence of love songs makes the set list more appropriate for the business setting. If anything, a love song during a business function might actually distract guests from the conversation. The familiar chorus or refrain of an especially emotive melody line even when played without drama might jog a memory, causing a guest to wonder why a guitarist would be playing a love song during a business event.
Pam began writing songs as soon as she began playing guitar at age eight. Many of the melody lines of her songs flow and move in the manner needed for this type of guitar work. So, several of Pam's original compositions made her initial set list. Because the guests will be focused on each other and the conversations they are having, some of Pam's songs will likely just feel like a classical song they hadn't yet heard. In most cases, they won't actually notice the song. They will just be enjoying the conversation and atmosphere. If everyone looks happy and no one stops midway in the conversation to say with a scowl, "I've never heard this song before," Pam will have done her job well.
Because Pam began recording original albums in the late 1990s, she has listened to much less radio broadcast music since that time. She will eventually catch up with some of the more modern sounds, if any, as she expands her repertoire for future hospitality guitar engagements.
Setup requirements
A minimum of 8 foot wide x 6 foot deep level floor space
A minimum of one working wall wort electical outlet within 6 feet of the performance area
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