Diana's Mambo Maniacs

Diana’s Mambo Maniacs is a produced, programmed show featuring a variety of rhythms and songs, predominantly Mambo/Salsa, including Merengue and Bolero. The song selection is designed to inspire audience participation and dancing, while keeping them entertained throughout the show.

The show length can vary depending on how long the promoter/purchaser wants the program to run. It can be anywhere from 30 minutes to 2 hours. A full 2-hour show will feature 15 to 17 songs and include (where available) a video program projected on the upstage screen highlighting the older Mambo and Salsa bands of the 50’s and 60’s. In addition (where applicable), the show includes wardrobe/costume changes. The show will also feature local, professional salsa dancers performing on stage and, when possible, teaching a short salsa class for the audience before the show begins.

Diana Sosa, inspired by her parents who danced for many years at the Palladium in New York City, has created a return to the ‘Glamorous’ days of classic Mambo and Salsa music. Featuring music from the likes of Tito Puente, El Gran Combo, Celia Cruz, Pete Rodriguez, Joe Cuba, and many more. Diana’s Mambo Maniacs will entertain your audience and have them dancing the night away to the best of classic salsa music.

Percussionist, vocalist, and bandleader Diana Sosa is a dynamic performer known for her commanding stage presence, fiery timbales playing, and magnetic connection with audiences. She brings passion, authenticity, and unstoppable energy to every performance. Diana is proud to play Pearl Drums and is fully endorsed by Pearl Drums.
As the founder of Diana’s Mambo Maniacs, Diana has assembled a powerhouse group of musicians dedicated to delivering music that honors the roots of mambo and salsa while bringing a fresh, modern intensity that excites both dancers and live-music fans. The show is bilingual, with songs presented in both English and Spanish.
The band has quickly earned a reputation for performances that reach new and diverse audiences, feeling like a party, a concert, and a cultural celebration all at once.

INPUT LIST
1. TIMBALE UNDERSIDE CENTER STAGE
2. TIMBALES UNDERSIDE STAGE LEFT
3. BONGOS OVERHEAD STAGE LEFT
4. CONGAS OH
5. BASS DI
6. KEYS DI LEFT
7. KEYS DI RIGHT
8. TRUMPET
9. SAXOPHONE
10. TROMBONE
11. CENTER STAGE VOX
12. STAGE LEFT VOX

SCHEDULE A – CONTRACT RIDER
ADDITIONAL TERMS AND CONDITIONS
Please read this rider carefully. It is part of the attached contract for the ARTIST. By incorporating this Agreement, you agree to provide ARTIST with the necessary production and working conditions essential to performance. Any breach of the terms and conditions of this rider is a breach of the contract and may cause ARTIST to refuse to perform without releasing PURCHASER from his obligation to pay ARTIST. If ARTIST elects to perform notwithstanding a violation of this agreement by PURCHASER, the performance by ARTIST shall not constitute a waiver of any claim ARTIST may have for damages or otherwise.

A. ADVERTISING
Billing on all advertising and publicity shall appear as follows:
“DIANA’S MAMBO MANIACS”
PURCHASER agrees to use only artwork, ad mats, photos, and/or promotional materials provided or approved by ARTIST in all advertisements. No product, service, or publication utilizing the name or likeness of ARTIST may be produced, sold, or distributed without the prior written consent of ARTIST.
ARTIST shall have sole and exclusive merchandising rights.

B. MISCELLANEOUS
PURCHASER shall not allow the audience to enter the place of performance until the technical setup is complete. ARTIST shall complete said setup one hour before DOORS. ARTIST REQUIRES A MINIMUM ONE-HOUR SOUND CHECK AFTER COMPLETION OF LOAD-IN AND SETUP. FESTIVAL PRODUCERS ARE REQUIRED TO COMPLY WITH THIS POLICY UNLESS OTHERWISE AGREED IN WRITING WITH THE ARTIST’S REPRESENTATIVE.

C. HOTEL REQUIREMENTS
PURCHASER agrees to provide HOTEL ACCOMMODATIONS; FIVE (5) rooms at a first-class, 3-Star or better hotel are requested. The rooms shall be available from the afternoon of the performance until the day after the performance, with the ARTIST to comply with the hotel's checkout times and rules. The PURCHASER shall not be responsible for any extra charges during the stay of the ARTIST.

D. SOUND REQUIREMENTS
PURCHASER agrees to provide a professional sound system for use by ARTIST, which is of sufficient size for the venue. The system shall be capable of producing a clean, undistorted ‘A’ weighted SPL of 100 dB average, 105 dB peak, as measured at the mix position, with a frequency response of 50 Hz- 18 kHz +/-3dB. It is preferred that the system loudspeakers be configured as a Left / Right stereo pair. The system and its components shall be in full working order, with no buzzes, hums, beeps, crackles, clicks, or other extraneous noises, and will be free from radio interference. The system should include at least 16 individual, discreet channels, along with necessary stands, cables, etc. The system should include at least 16 individual, discrete monitor channels and 8 wedges.

E. LIGHTING REQUIREMENTS
PURCHASER will provide adequate lighting to satisfactorily illuminate the ARTIST and personnel to focus, program, and operate the lights. Additionally, if possible, PURCHASER will provide a Video projection and screen for projection on the upstage scenic.

F. BACKLINE REQUIREMENTS
When appropriate, for example on 'Fly-Dates,' PURCHASER will provide the following Backline equipment for the performance at PURCHASER's sole expense.

G. DRESSING ROOMS
There should be at least TWO (2) Dressing Rooms for the Artist’s exclusive use from Load-In through Load-Out.

H. MERCHANDISE
ARTIST will utilize the Venue for Merchandise sales at an 80/20 split.

I. CATERING
The following should be provided in the Green Room (or Dining Area), available after sound check: one hot meal for EIGHT (8) people – chicken, turkey or beef with potatoes, rice or pasta; fresh vegetables and salad; fresh fruit; deserts; bottled waters, various regular and diet sodas iced down or refrigerated, coffee with cream and sugar; eating and drinking utensils; napkins. Light Beer would be appreciated.

J. PERSONNEL
One Runner; One stagehand for load-in, sound check, set change, and load-out; one AUDIO ENGINEER familiar with sound system; one LIGHTING OPERATOR.

K. SECURITY
Please ensure that the stage, dressing rooms, and mix position are always off limits and secure.

L. COMP TICKETS
PURCHASER will make available to ARTIST for ARTIST'S use, Sixteen (16) Comp Tickets to the Performance.