Another Journey

Absolutely the most authentic Journey Tribute Show to hit the stage. ( years established - International. !00% note for note and sound accuracy.
Incredible Musicianship along with a true live Journey show experience. Unlike any other Journey cover bands.
Amazing Vocals identical to Steve Perry with all his moves and mannerisms and energy.
Neal Schon's perfectly captured guitar work unlike no other but neal Schon himself.
The whole group will have you on your feet for 2 hours . You won't have to close your eyes to imagine you are at a Journey concert to be amazed.

ANOTHER JOURNEY
Based in Las Vegas, Nevada, ANOTHER JOURNEY is considered by most fans and clients to currently be the greatest live international Journey tribute show band to ever hit the stage. Established in 2011, they capture the very essence of one of rock's greatest living legends “Journey” with amazing power and accuracy.

Only the very best lineup of professional tribute artist and top performers in the industry were selected for this show.
This group focuses on the Journey of today and yesterday which has brought worldwide success for Journey up until this very day!

However there is one exception! The group’s presentation provides what most Journey fans wish, which is that Steve Perry had never left the band.
ANOTHER JOURNEY provides that fantasy!
This amazing show has such a high sell out rate and is why it has gained the attention of many in the tribute community as the very best and more in demand each year worldwide.
See why ANOTHER JOURNEY can only be rivaled by Journey itself.
People love to sing along to all of Journey's greatest hits and can’t stay seated.

ANOTHER JOURNEY have been performing concerts at casinos, resorts, theaters, corporate shows, festivals, arenas, military bases and more worldwide. With over 1.6 million fans currently, they are the most accurate Journey tribute show to date and always presenting a first rate show. Having the full look of Journey with 100% note-for-note accuracy provides a truly realistic and powerful Journey concert experience!

YOU WON"T STOP BELIEVING!

Full Tech and Hospitality rider available Pdfs upon request


Tribute to Journey “ANOTHER JOURNEY “
Tribute 60-120 minute Show Technical Rider
Members of ANOTHER JOURNEY consist of a total of 5 performers

Paul Hemond Front man Lead vocalist as “Steve Perry”
Steve Valenti Lead and rhythm Guitars backup vocals as “Neal Schon”
Jonathan Harris Bass guitar, backup vocals as “Ross Valory”
Jim Raleigh Percussion, backup and Lead vocals as “Steve Smith“
Barry Allen Comeaux Keyboards, backup vocals as “Jonathan Cain”

CHECK STAGE PLOT FOR ALL GEAR PLACEMENT PREFERENCES AND PLAYER POSITIONS

The Stage Plot on Page 6 will be sent or can be downloaded in a separate file from this rider and will be provided.

There will be a simple stage plot or a large stage plot available and a hospitality rider.

All sound and lighting must be accompanied by a minimum of one fully qualified operator for each system, such as Mains, Monitors, and Lighting. These personnel shall work under the direction of the artist’s or production manager or sound engineer, and assist them in any way necessary.

Fly in performance back-line needs______________
Risers:
• 8’ x 8’x 12” HT minimum sized Drum riser set up upstage center (promoter provided
• 8’ x 8’ x 6” HT Keyboard riser stage right mid front

Lead Vocalist will be using in-ears and monitors, please reference stage plot for wedge positions.
Please Include tea, hot and cold water, lemons, honey and orange juice Veggie tray
Dressing room to have a full mirror- clothing hanger rack fresh towels.

Keyboardist needs: 1 Double X Brace Keyboard Stand / 1 Nord Stage 76 key Keyboard (options include Stage Classic, Stage 2 or Stage 3)
1 Sustain Pedal
1 Quiklok QL-642 Heavy Duty, Double Brace X Keyboard Stand
2 Boom Microphone Stand
1 Solid Music Stand (For Computer)
2 Vocal Microphone
1 Keyboard amp monitors Roland or Vox with 1 x 15” speaker plus horn or equivalent.

Guitarist needs: 2 Marshall 1960A 4x12” 300 Watt Stereo or mono 16-8 Ohm speaker cabinets, 100 watt Marshall DSL100, JVM 210, JVM 800 or JVM 900. Duel super lead or any equivalent Marshal 100 watt Head that has an (FX Loop) as a backup.
(We do bring a Direct Guitar processor and stereo power amp).

Bassist Needs: 1st choice - 1 Gallien-Krueger 1001RB-II bass head or Ampeg SVT-CL bass head (if 1st choice is not available) and one (1) Ampeg SVT-810E cabinet or two (2) 4x10 Bass cabinets.

DRUMS Needed: Pearl Masters Series Kit (or DW or Tama or Ludwig equivalent)
1 – Snare Drum with Stand (14” x 5.0” to 6.5” deep). A backup Snare is also preferred.
5 – Rack Toms (8”, 10", 12", 13", & 14”)
1 – Floor Tom (18”)
2 – Kick Drums with Pedals (24” preferred)
1 – Hi-Hat Stand with Bass Drum Hoop Clamp
7 – Cymbal Boom Stands or equivalent rack mounted cymbal boom arms.
1 – Drum Throne
1 – Small Multi-Speed Fan
Cymbals: Sabian AAX, Sabian Paragon, Zildjian Cymbals, or equivalent and all stands
1 – Pair of 13" or 14” Hi-Hat cymbals
2 – 16” Crashes
1 – 17” Crash
2 – 18” Crashes
1 – 18” China
1 – 22” Ride

All Drums should have the appropriate individual microphones for each drum size and type. Condenser microphones should be used for Overheads, Hi-Hat, and Ride. Occasionally, we use drum triggers and will need stereo out for our electronic drum module and just Overheads (L & R), Hi-Hat, Ride, and Snare Microphones.

See Stage Plot for placements

• Total monitors up front 5 plus 2 side fills Rt & Lft Stage front of house mix1 drum side fill with Sub Woofer for total of 7 cabinets.
• 2 loaders to load in gear with 2 staying behind to assist with Backline setup.
• Lighting company to provide 1 Lighting Director for the show. See artist or production manager for cue sheet. Please ask us beforehand if we are bringing a Lighting Director.

The promoter will provide a Public Address (P.A.) system for the duration of the event. A technical specification is attached and is an integral part of this contract in the form of a Stage plot and input list.

The promoter agrees to provide a clean dressing room with mirrors, washbasin, and a toilet for band use only.

The terms “contract,” “show,” or “performance” times: If the attached contract calls for one performance it shall be played without intermission during the time period specified. The artist however at their option, may exceed the specified performance time without interference from the promoter. In the event that the artist is unable to perform during the time period specified in the contract due to no fault of their own, they shall be paid in full.

The promoter is to protect the artists and their equipment must provide adequate security.

In the event of civil disorder that could result in damage to life or property of any member of the group or any equipment or vehicle used in the production of the show, the groups’ tour manager in his judgment shall have the right to cancel this contract without liability.

It is fully understood and agreed that no deductions whatsoever are to be taken from the contract price contained herein or from percentages earned hereunder.

The promoter shall provide ten (20) tickets to be held back for disposal at the discretion of the artist for VIP comps.

The promoter agrees not to commit the artist to any personal appearances, interviews, or other types of promotion without prior consent.

Type of additional appearance request __________________________________________

____________________________________________________________________________

____________________________________________________________________________

Approved by __________________________________ date _______________________

1.) STAGE
a) To be of level, solid construction free of holes, cracks or movement.
Small show Bare Minimum Size: 24’ wide x 20’ depth x 2 ft high. 30 x 40 Large shows
There must be stair access at the back or wings of stage.
b) DRUM RISER - Minimum Size: 8’ wide x 8’ deep x 12” high. Black scrim around front & sides. If on the floor, a drum carpet is required.

2.) POWER
a) There shall be adequate power for the band according to stage plot.
b) FOUR 20 Amp quad boxes shall be provided for stage power and shall originate from the same power source as the sound system power (See Stage Plot).

3.) SOUND REQUIREMENTS
a) The house sound system shall be a three- or four-way active system able of producing 110db of undistorted sound at house mix position (10 Watts per person of venue capacity).
b) The house mixing console shall be at least 32 Inputs, 8 Subgroups, 6 Aux sends and four band sweep able EQ. Acceptable consoles are Midas, Yamaha PM’s, Sound craft, Allen & Heath, and Crest.
c) Microphones - Refer to Input List and Stage Plot
d) Monitor System:
Shall be separate from F.O.H. mix with an onstage console of at least 32 Channels and 8 dedicated mixes, 1/3 Octave EQ’s on each mix. All wedges need to be powerful with bass presence.

A dedicated Stereo channel with all options for monitor and main mix for a Sub mixer XLR out for Optional Tracks from the stage is also required.

Note: The Side Fills for Drums Must have strong Subwoofers.
Some of these requirements can or might be changed and may not all be needed when we are advancing the show.

Please supply a boom stand with a 13” or 19” gooseneck for the Drummer Vocal Microphone. Standard boom stands for Lead guitarist / Bassist / Keyboardist. Straight stand for Lead Vocalist.

Instrument: Effect: Signal: Mic Type:
Guitar Amp Cabs (SL) 2 Shure SM 57 or choice
Keyboard (Top) Comp DI Active
Keyboard (Bottom) Comp DI Active
Bass Amp (SR) Comp DI Active
Guitar Vocal (SL) Comp Shure Beta 58
Keyboard Vocal (SR) Comp Shure Beta 58
Guitar Vocal (SL) Comp Shure Beta 58
Bass Vocal (SR) Comp Shure Beta 58
Drum Vocal (Upstage) Comp Shure Beta 58
Lead Vocal transmitter Comp Own In-Ear Wireless Microphone

Channel Instrument Microphone
1 Kick Left (24”) Sennheiser e902
2 Kick Right (24”) Sennheiser e902
3 Snare Top (14”x5”) Sennheiser e905
4 Snare Bottom Sennheiser e905
5 Hi-Hat Sennheiser e602
6 Ride Sennheiser e602
7 Overhead Left Sennheiser e602
8 Overhead Right Sennheiser e602
9 High Tom 1 (8”) Sennheiser e904
10 High Tom 2 (10”) Sennheiser e904
11 Rack Tom 1 (12”) Sennheiser e904
12 Rack Tom 2 (13”) Sennheiser e904
13 Rack Tom 3 (14”) Sennheiser e904
14 Floor Tom 1 (18”) Sennheiser e902
Typically, all of the drums are individually mic’d. Mic stand hardware is available on the drum rack itself. The mics I use, and can bring, are all Sennheisers: e902’s for Kicks and Floor Tom, e904’s on all Toms, e905’s on the Snare (Top & Btm), and e602 Condensers for Hi-Hat, Ride, and Left & Right Overheads. (See the pictures below for shots of the drum set).

INSURANCE: May require promoter / venue to agree to provide comprehensive general liability insurance (including, without limitation, coverage to protect any and all injury to persons or property as a consequence of the installation and / or operation of the equipment and instruments provided by venue and / or its employees, contractors and agents). Such liability insurance shall be in the amount required by the venue, but no event shall have a limit of less than one million dollars ($1,000,000.00) combined single limit for bodily injury and property damage. Such insurance shall be in full force and effect at all times artist or any artist’s agents or independent contractors are in place of performance. Artist and their agent shall be listed as additionally named insured under such insurance and this shall be indicated on the pertinent certificate of insurance.

Purchaser also agrees to provide full all-risks insurance coverage for all equipment and instruments provided by the artist and it’s employees, contractors, and agents against fire, vandalizing, theft, riot or any other type of act while on venue premises. The purchaser warrants that purchaser has complete and adequate liability Insurance. The certificate evidencing same must be produced to the artist upon request. Promoter agrees to provide one runner from load in to load out.