Already Gone Presents the Eagles

Already Gone delivers the greatest hits of the Eagles — 100% live.
Big harmonies, iconic guitar parts, and a full-band performance that feels like a real concert (because it is). No backing tracks, no lip-syncing, no shortcuts — just experienced musicians doing the Eagles catalog the hard way, on purpose. It’s musically authentic, high-energy, and built to keep a crowd engaged from the first chord to the last.

What audiences can expect
A hit-packed set full of songs everyone knows — “Take It Easy,” “Peaceful Easy Feeling,” “Desperado,” “Lyin’ Eyes,” “Already Gone,” “Heartache Tonight,” “Hotel California,” and more. We’re tight, upbeat, and crowd-friendly with a show that plays big on a festival stage: strong pacing, big moments, and sing-along choruses that bring the field together.

What clients get
A professional, turnkey act that’s easy to book and easy to run:
Clean, polished presentation appropriate for executive-facing events
Reliable communication and advance planning (stage plot/input list available)
On-time load-in, soundcheck, and show start
Confident stage presence that’s fun and engaging
Flexible formatting: we can tailor the energy and volume to the room—outdoor amphitheater, ballroom, gala, or brand event

Production and logistics
We work smoothly with festival production teams and corporate AV crews. Provide us your schedule and production contact, and we’ll handle the details —inputs, changeover needs, and timing—so your team can focus on the event, not the band.

Bottom line
If you want a high-impact, crowd-pleasing Eagles tribute that’s genuinely live, musically dialed-in, and delivered with the professionalism your stakeholders expect, Already Gone is built for that job.

The band is unique in that the five members, each with outstanding lead and backing vocal talents, have mastered the Eagles' trademark "choir" harmonies and soulful melodies, so much that their fans regularly comment that if you close your eyes, you'll believe you are really listening to the Eagles. With a song list that includes such Eagles hits as "Heartache Tonight", "Desperado", "Hotel California", "Take It Easy" and of course, "Already Gone", the band is a hit with fans of all ages.

Already Gone has performed at such venues as the House of Blues-Houston, the Brauntex Performing Arts Theater in New Braunfels, Texas, the Heights Theater in Houston, the Lantex Performing Arts Theater in Llano, and the historic Rockefeller's in Houston. The band regularly sells out shows and is in high demand, typically booking shows almost a year in advance.

Stage Requirements
Stage shall be constructed of professional grade manufactured steel, aluminum, concrete or wood, with a non-skid surface, or non-slip carpeting.
If this is an outdoor engagement, the stage and all work areas pertaining to the stage including Band’s personal equipment and Band’s technical personnel must be completely covered and protected from the elements by either an existing structural roof, canopy, or a professional level mobile stage (such as an SL-100 or SL-320.).

EZ-ups and/or tarps are not acceptable stage covering for sufficient outdoor protection.

Already Gone retains the right to refuse the performance if stage or any work areas pertaining to the stage are deemed unsafe due to standing water, improper electrical grounding, or any other potential hazard to personnel or equipment.

Stage Dimensions
Management will provide a stage no smaller than 24’ wide x 16’ deep, and a carpeted drum riser no smaller than 8 feet x 8 feet x 1 foot.
Stage Risers
We require one (1) 8’x 8’ carpeted drum riser and one (1) 8’x6’ carpeted keyboard riser. Risers shall be manufactured from sturdy and professional grade level materials such as aluminum or steel with sections that lock together. Risers should be a minimum height of 1(one) foot. If risers is greater than 1 (one) foot in height, stairs must be provided.
Backline Power
Purchaser will ensure that the performance area is supplied with at least
2 (two) individual and separate 20 Amp circuits, 115V AC each, within 25 feet of center stage for Band’s use, each with no less than 4 (four) outlets.
A stage plot and input list will be sent as separate documents. If they are not, please reach out to Danielle Bourgeois, (email hidden), (phone number hidden).
Sound Check /Load In / Load Out / Technical Crew
We require a minimum of 2 hours for load in, and a minimum of 60 minutes for sound check. Please provide at least two (2) sober, physically capable individuals who can assist our road crew and stage manager with load in, set up, and load out of band gear.
** Specifically, we will need:
2 (two) Stagehands for load in, set up, and load out.
1 (one) Audio Technician familiar with the house sound system and house power.
1 (one) General Stagehand to help setup backline, patch / wire the stage.
1 (one) Lighting Operator
Sound Requirements
Purchaser agrees to provide an audio system as described below that is professional quality, in full working order, configured correctly, and appropriate to the venue and event.
Every single component of the audio system, including speakers, amps, processing, consoles, etc. must be tested and in 100% working order before load in.
If Band is bringing sound, then the room should be available a minimum of three hours before show start.
To the greatest extent possible, no one except those that are directly involved with setup should be in the room before doors open.
Mics & Accessories
Already Gone does not typically travel with their own mics, DIs, sub snakes, mic cables, or mic stands. Purchaser or their sound company is expected to supply these. Specifically, we will need:
(2) Short Tripod Boom Stand
(8) Tall Tripod Boom Stands
(30) Standard 15’ – 20’ XLR- XLR cables
FOH Speakers
We require a PA appropriate to the venue size, 3 or 4 way, capable of producing at least 115 dBA undistorted, full-range sound at FOH after equalization and before compression, covering all areas of the venue where the audience is situated at ±2dB full range. This must include the center of the front rows of the audience, as well as any balconies. If necessary, suitable in-fills / front-fills must be provided.
We prefer D&B, L’Acoustics, Clare, Martin, JBL and EV . Other brands may be acceptable, please discuss with our Production Manager, Gavin Bateman. Brands that are NOT acceptable are: Yamaha, Behringer and Mackie.
FOH Console
We will require use of house FOH console and any outboard gear where applicable. FOH should have a MINIMUM of 32 Inputs, 16 outputs, 4 FX engines, 8 gates, and 12 compressors.
Our FOH Engineer will need to have full access to and control of ALL system EQ and processing. Any passwords or codes must be available before load in.
We prefer Midas Pro Series, Heritage Series or M32 consoles. Other brands may be acceptable, please discuss with our Production Manager, Gavin Bateman. Consoles that are NOT acceptable are: Yamaha LS9 or M7CL.
No Behringer outboard or processing.
Please provide at least one FOH & Systems tech who knows the equipment and is capable of operating it, as well as to mix the support acts. The house system tech(s) must be experienced and know how to operate, troubleshoot, and repair every facet of the system.

TALKBACK AND COM
A switched talkback (preferably Clear-Com) microphone with a feed to our Stage Left position for communication between the FOH engineer and our stage manager is necessary. Please provide amber lights with phone style handsets.
Monitors
**We require one skilled monitor engineer who will mix monitors for both Already Gone and any support acts. Production Manager will provide monitor engineer with a set list prior to the show.
We require a minimum of six (6) discrete mixes with a minimum of four (4) floor wedges.
Soundcheck
PURCHASER shall not allow audience to enter place of performance until soundcheck has been completed. Band shall complete said soundcheck at least one hour prior to time of venue doors opening. Band requires a minimum 60 (sixty)-minute sound check after completion of load-in and setup. Festival producers are required to comply with this policy unless otherwise agreed in writing with the artist's representative.
Lighting Requirements
Absolutely NO strobe lights, or any type of rapidly flashing lighting effect. Thank you.
Overhead stage lighting must be adequate for reading newsprint without difficulty. Theatrical lighting providing for a whitewash or color wash of the stage with an operator is preferred.

Backline Requirements – Summary
(final details subject to approval of artist technical crew)
Drums:
·Standard drum set (5 piece minimum - bass drum, snare, two rack toms, floor tom) – DW or equivalent
All hardware, stands and pedals (inc. double bass pedal; DW Powerman 4000 preferred)
Cymbal and hi-hat package (2 crash, ride and hi-hat; Zildjan preferred)
Cowbell
Drum throne (Roc-n-soc or equivalent)
Carpeted drum riser, 8’ x 8’ x 1’ minimum
Guitars/Bass/Amps
5 electric guitars (Fender telecaster, Fender Stratocaster, 2xGibson Les Paul, one electric 12-string), 2 electric basses (Fender Jazz), 1 acoustic/electric guitar (final mix of makes/models to be determined and approved)
3 2X12 combo guitar amps (Fender or equivalent)
1 bass amp (Ampeg combo or equivalent)
Guitar stands, extra guitar cables
Keyboards
2 61-key Nord keyboards (specs to be determined and approved)
Double keyboard stand