The Blessings Bee

There are 3 attributes I always embody as a professional performer. They are professionalism, passion, and technical skill.

For me, professional behavior is exemplified by being on time, dressed in the requested costume, having all props ready for the performance, communicating effectively, and being present while on site. I am actively working to keep making my art my career and as such recognize that my actions while working affect that growth. This passion for what I do promotes me to give my all. This fundamental love is very much so apparent on stage and can only be seen by the audience when going at a performance whole-heartedly. Performance art can be more than just dancing on stage, it can be a transfer of love and energy cultivated by skilled prop manipulators. I continue to move onwards and upwards by spending hours dedicated to perfecting this craft. I understand as artists they are forever growing and expanding their knowledge and abilities in their chosen art.

I'm more than just a dancer, I strive to take my performance above the status quo. I bend expectations, dimensions, and the mind through a well crafted hula hoop dance infused with a background in ballet, belly dance, and yoga for a one of a kind performance.
Born and raised in Denver, Colorado I was first introduced to ballet around 12. Dabbling in that for the next few years it sparked me to seek other forms of dance and soon found myself in belly dance classes as well as in the yoga studio. Around the age of 16, I discovered the electronic music scene and began involving myself in promotions and marketing for music production companies such as Bridging the Music and Electromance Records. As my network grew, I began dancing for various dance teams such as Lollipop Kidz and Venomous Vixens, where I grew into my position as Flow Manager. With Venomous Vixens I worked on multiple raves from (phone number hidden)1 including Mardi Gras, Graveyard, Dots, Orange, and Ravers in Wonderland. In the winter of 2010, I relocated to Breckenridge Colorado, where I studied yoga at Colorado Mountain College. During my three years in the mountains, I dedicated my heart and soul into my yoga practice, further stretching my body and performances.
Currently, I am working to plant my roots in Phoenix and get my name out as a professional performer. I am looking to be apart of everything and all events that I can as I continue to work on moving myself onwards and upwards. My dance is evolving and is extending outwards to explore more burlesque, different types of fire play, and more floor work.

As fire performers, safety is the number one priority. I am concerned with the space being free of hanging cloth, loose wires, and other equipment that can otherwise catch on fire or trip me. Events will be accepted based on this space. I cannot endanger the lives of patrons or the property with an inadequate performance space. A stage is preferred, mainly to keep myself, and the fire, up and away from patrons. This is also a matter of safety. However, this is not required. There needs to be a reasonable distance between myself and patrons. In the past I have used cones, flags, etc to create a barrier.